Posts Tagged steampunk

Review: The Burnt Watcher

The Burnt Watcher Cover

This book was recommended to me by Nimue Brown, which kindled a lovely friendship with the author! I would say that any bias is unintended, but…

This book is absolutely in my Top 10 Reads of 2020. For a first-time, independently-published novel, it caught me up in its tale and I found myself trapped within its pages late into the night.

‘Five hundred years ago the old world burned and the Fear rose from the ashes and the Glass. Watchers knew the Fear and found the ways of fighting it, enabling the world to be built anew.’

This may be the calmest post-apocalyptic novel I’ve ever read. It starts long after the Big Catastrophic Event, and reminded me at first of Ellis Peters’ ‘Cadfael’ books: a spiritual man, injured in the course of his work and seeking peace and quiet, pulled into a mystery from a world he’d left behind.

Master Grey is a Watcher, trained to fight The Fear which destroyed the ancient cities and drove all survivors into the countryside. This is recognisably England, albeit with slightly changed names (watch out for the dangers of the M4 motorway!), with technology that is something between medieval and steampunk, born of practicality and without using any concrete whatsoever.

I love how Master Grey leads us through his world. He assumes that those hearing his tale already understand the foundations of his society, so doesn’t go out of his way to explain them – there’s little exposition here. He remembers events and people as they’re important to him, and so the reader is able to build the world he moves through it.

The Fear hasn’t been seen in many years, so the Watchers are now few in number. However, we soon learn that it has certainly not disappeared, but is working subtly in the background while humanity starts to forget. Yes, magic is present here, but in a very practical manner… and scoffed at by the ‘educated, civilized’ folk. Until they have need of it.

The author uses his own interpretation of folk magic such as ley lines and runes to create a very grounded spiritual tradition that quickly seems very natural. I’d be intrigued to see how the society of the book formed post-event, but at the same time it’s tremendous fun to figure it out myself.

There’s a few influences here, I’d guess, but all combine to make a fascinating world. From Cadfael we move to the Swiftian bureacracy of middle England, then on to ‘The Wicker Man’ (or even ‘Deliverance’), with shades of ‘Rivers of London’ and ‘Neverwhere’. I use these as hints, by the way – the book is absolutely its own creature – but if you like any of the above, you’ll likely enjoy this.

Before you know it the gentle pace has ramped up, and by the end is hurtling along as we read faster and faster to see how Master Grey will discover what’s going on, defeat the Fear, and how even moreĀ  damaged he might be as a result.

I understand that there is a sequel (or two) in the works, and they can’t come fast enough!

I love being recommended new books, and this is one Find that I’m happy to sing the praises of. Absolutely do seek it out.

The Burnt Watcher‘ is available for Kindle and in paperback via Amazon.

 

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Review: ‘Deus Ex Mechanic’

Deus ex Mechanic cover

‘Deus Ex Mechanic’ is the first full-length novel by Ryann Fletcher. I was kindly provided with an early ARC, but have promised an unbiased review.

This book has had a difficult birth. Originally scheduled to be hitting shelves (and ereaders) last year, it was delayed due to the publisher unfortunately closing down. The author took the brave decision to self-publish… and I’m very glad that she did.

We are taken on the journey of Alice, a humble mechanic in a future where humanity has colonised the galaxy and potentially beyond. We see a little of her life deep in the bowels of an enormous starship – where she’s busy working on the boiler with her trusty wrench. For this is science fiction, but with a generous slice of steampunk thrown in. Shiny and space-age on the outside, messy and basic underneath!

The action begins quickly, as Alice is kidnapped during an explosive incursion by a pirate crew led by Captain Violet. And if you know anything about this book, the sparks that soon fly aren’t just those in the boiler room.

The universe-building is intriguing, and definitely drew me in. There are clear parallels with the benevolent socio-political framework of ‘Star Trek’, with hints of the ‘Warhammer 40K’ fascistic society – but let’s not hide the obvious. This is a loving wink at ‘Firefly’, with a hierarchical ruling political body being quietly opposed by small groups of active pirates and folks just looking to survive.

Alice faces the dilemma of the ‘safe’ captivity of her regular role within the not-Federation, versus the freedom and danger offered by the crew of the ‘Cricket’. It isn’t an easy decision, and the pirates each have their own opinions on their new mechanic. It’s not ‘hard’ sci-fi, instead absolutely its own engaging form of space-opera drama.

The characters soon become like old friends. I was again reminded of ‘Firefly’, with its tiny-but-unique gang of criminals, but the Cricket is definitely its own beast. I found myself mentally casting a TV series as the book went on, because I so wanted to see the action-packed adventures of Violet, Ned, Hyun and the rest.

The story moves along fast, with pleasant pauses in the action to allow breathing room for relationships to develop… before jumping back into Major Peril again! It’s tremendous fun, moving smoothly from one incident to the next, but never feeling rushed. We know why everyone acts as they do, and are keen to see what happens as events unfold.

Also, this isn’t ‘just pin a cog on it’ steampunk. I was so glad that the universe seems organic (so to speak), without any hand-waving technobabble to make the plot progress. Pipes and boilers must be maintained to make starships run. Whole worlds of people rebel against the wider accepted society just by living their lives. Freedom under threat is preferable to (comparative) luxurious captivity. Literal Steam-Punk.

I understand that a sequel is already complete, and am very pleased to say that I can’t wait to see what shenanigans Alice and Violet get up to next. A fantastic first novel. Definitely recommended.

‘Deus ex Mechanic’ is available on Amazon, Apple, Kobo, etcetc.

Note: Because the in-person event had to be cancelled, Ryann is kindly holding an online Launch Party tonight on her YouTube channel. I’ll be there!

 

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Reconnection

Hello again!

It’s been the longest hiatus in the history of this blog, but I’m still here. Thank you for your patience, lovely Reader. Believe me, the wait could have been very much longer, but this post wants to be written. On we go.

The lack of blog pages recently has been a result of the finalising before deadline of my second book. Writing daily, polishing, preparing, reworking and repaginating, then editing… hard work, yes, but very enjoyable. I do love to write, and quite often would find myself going over my daily word target because I just got so caught up in what I was doing. Once ideas start to flow, there’s no stopping them – and that’s no bad thing.

However, this has meant that there was little room for other things. No problem, I thought – once things are submitted and in, I can get on with whatever comes next. And this has been true, up to a point. I’ve been working (equally hard) on my upcoming Druidry Course, to start in June. I’ve preparing for talks over the Summer, and upcoming Handfastings. Life doesn’t stop.

One thing I always forget, though, is how much this takes from me.

A while ago, I was chatting to my Mum about the talks that I give, and how tired I was at the end of them. She didn’t understand. “What do you mean? It’s just you, talking for a few hours.” And so it is, when all’s said and done.

But when I do something truly, properly, thoroughly and honestly, it’s putting in the whole of my being, focusing entirely on that task. It may be ‘just talking’, but that’s never been easy for me. I do my utmost to convey my meaning in my words, baring my soul for the benefit of those listening. I don’t think I could do less, nor would I want to. That dishonours both myself and my audience, those who’ve chosen to spend those hours listening to me.

In the same way, what I write takes time. I read back as I go, tweaking phrases here and there, telling the story that I want to tell, in fact and in tone. It might only take a few minutes to read, but hopefully it’s worth it. There’s too much out there that’s just a waste of time, frivolous and easily forgotten. I try to inspire, even a little. I am always grateful for your attention.

So this isn’t just a personal whinge about a late blog post because I’m tired – that’d be far too easy. This is, as in everything I write, a little piece of my truth.

Because what I forget is that when I give up part of myself, I am left depleted. Depending on how much I’ve put ‘out there’ to others, I’m exhausted, energies drained and often head-spinning into collapse. I’ve learned tricks to help with this – after all, it’s no different from overdoing it in any other way, from over-exertion in exercise to a strenuous exam. You prepare, you go the distance to complete the task, then you rest and recharge.

Writing a book isn’t accomplished in one mad burst. It takes time, over many months. By the end of it, I’m ready to submit the manuscript because frankly, I’ve said what I want to say, anything more would be excess, and I’m sick of it all. Time for the next thing, this one is done. Press ‘Send’.

But this topic was especially hard. Writing about darkness, depression, pain, challenge… what did I expect? Some parts flowed well, others were virtually ripped from me. Once that button had been pushed, the manuscript submitted, I was left adrift. What now?

I understand that this isn’t unusual for creative folk. When one project is finished, there can be a ‘cold turkey’ period of recovery, almost like a post-natal period. Some authors start their next book immediately, so that this lull is negated. I’ve some fiction begun and Book 3 in motion. Ideas are gestating, and I’m glad to say that I don’t think that will stop anytime soon.

This didn’t stop me from experiencing what appeared to be virtual exhaustion over recent weeks. Hardly the energy to function on the worst days, unable to answer emails or messages, too depleted to get on with much beyond the most basic household jobs. To be expected? Perhaps. Not pleasant to experience, though, and beyond frustrating from this side.

I admit, sometimes I push myself too hard. I want to be doing, getting on – I try to accomplish something every day, even if it’s small. A little more on my latest knitting project. A baked creation for the household. A few words written, even just ideas. Part of it is being self-employed; part just needing that challenge as a person.

When this isn’t possible, I grind a little more to a halt. Days of nothing are contagious, leading to more nothing. “You’re done, that’s it, you can’t do any more,” says the internal voice. “Might as well stop.” This blog post nearly didn’t happen for those reasons.

Put another way: if the exhaustion I’ve felt is proportionate to the energy put into Book 2, then it’s going to be a humdinger.

What’s keeping me going, you see, is my Druidry. From the deeply personal meditations of wandering alone, to connecting with others who just want to share – the lived experience of my Path is both holding me up and moving my feet. Plans for ritual, study ideas, personal practice, tangible things; even looking forward to the eventual release of Book 2 in the Autumn (still an unbelievable idea!). While I have needed more time to myself to rechargeĀ  (usually spent reading or knitting), the getting out and exploring of ideas with others has been a joy.

It may have drained me more effectively (and more quickly) than it usually would. But that’s just something I’m having to learn to deal with, until I’m back up to ‘normal’ power again. A good part of my time is spent pushing against tiredness, that voice that tells me to stop, there’s no point, nobody’s really interested. Because I’M interested. I don’t believe I’ll ever have ‘reached the end’ of my Path, that it’s possible to know everything or have experienced every part of my spirituality – even with death. There’s always more.

I’m trying not to overdo it, to take things at my own pace. It’s difficult to work out what that is, sometimes. But pushing myself by simply grabbing the laptop and starting to type – as I am right now – helps. Stepping to the window and looking out – helps. Breathing in the fresh air, the hope of Spring (finally!) – helps. Seeing my own thoughts, reflected and reconsidered through the imagination of others – helps beyond measure.

I try to remember what brings me happiness and laughter, what fuels me. Stories, always – from Doctor Who to Shakespeare. Key phrases leap to mind at random moments, from the ‘winter of discontent’ (very true) to the dream of ‘when the hurly-burly’s done’. The exploratory weirdness of Steampunk is catching my imagination lately as well. We seem so caught up in lost cynicism as we wait for the overdue Spring to truly arrive that we forget what potential there is out there in our imaginations, what we just haven’t noticed yet.

When stuck inside, do we sit on the sofa and mindlessly lose a day – or do we make a fort? Do we take our own meagre scraps of energy and ability and create something, no matter how small, or do we moan and lash out, blaming others for our own lack of action?

The everyday world is full of news stories that may drag us down further, with apparent hopelessness and the difficulty of making any change at all. But I’m just trying to do my thing, here and now. When it all seems too much, I try to see beyond the fog of sheer negativity that all too easily can come down to block everything in/out. Reconnecting with the world around, those of like mind, those kindred spirits – this keeps me reminded of why I do strive on.

Bless you, my friends. Still moving forward.

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Words

Dyslexic friends have spoken to me in the past of their frustration with words. How their shapes change on the page, moving in a muddle that’s impossible to decipher. I don’t know how true that is, but I’ve heard variations on this theme, so presume there’s something there.

This has made me wonder if I’m some sort of reverse-dyslexic. Ever since I could read, words have had their own particular patterns to me, each one a tiny shape with specific form, made up of the right combination of letters, forming sentences and thus phrases captured on pages. As a child, when I stared too long at a page in a book, the edges of paragraphs would become clear, dark ink against white paper, the movement of the word-groups moving up and down almost like musical notation, telling their stories from sigils to be deciphered.

And then, there’s the feeling of having lost your grip on language – typing or writing the same word over and over again until it loses all meaning, becoming just a jumble of letters. Water-torture in text, a metronome of repetition seeking a tune?

I’m reading a fantasy/futuristic science-fiction novel at the moment, with a character who can ‘feel’ the contents of books. She walks between the shelves in a library, fingers gently outstretched, touching the sense of story, the tales told, the experiences of the authors. I’ve seen a lot of this recently, the book-love. Trying to make a little sense out of the joy we find in words – sometimes verbal, but mostly literary, captured in print.

The great Jasper Fforde satirises book-love in his ‘Thursday Next’ novels, with the ‘software’ of reading pinned down into programming language. BOOK 4.0 is to be released – that mysterious machinery which translates words from bits of print into images in our heads. Partly scientific, partly magical, nobody really understands how it works – and why, occasionally, it doesn’t (presumably as in text-speak, with its evolution of LOLs and ROFLs). Is this any stranger an understanding than our communication through the medium of Windows or Linux?

Stories are tangible. Whether it’s breaking the ‘fourth wall’ of a book, with a reader being acknowledged as an active participant in the story (the 80s ‘Choose Your Own Adventure’ and ‘Fighting Fantasy’ books leap to mind), or the post-modernist idea of a literary character themselves reaching into a book to converse with the characters. The aforementioned Thursday Next book-jumps into ‘Jane Eyre’ to ensure that the ending is correct (Jane ends up with Rochester, not Rivers). Those of us who love that tale are certainly glad that this mistake was fixed! – and thus, we are part of the story too.

We cheer the heroes and boo the baddies in movies… but in books, the lines become a little more blurred. We have more time to get to know the characters and situations as the stories unfold. We ‘lose’ ourselves in a good book, eventually putting it down at the last page with a sigh and a racing heart. I frequently close a book and look around in confusion, wondering which reality is more ‘real’.

Stories make us who we are. Each of us has a story to tell – and very few are not worth hearing. We are the protagonist, which doesn’t mean it’s all about us. It’s about our journey, our understanding, our evolution.

I have always known that I wanted to be a writer. I never dreamed that my first book would be non-fiction (or semi-autobiographical) – the Internet wasn’t invented when I started scribbling in exercise books, let alone blogs. But my first love has always been fiction. When the words start to flow on a story, when characters step up into your mind wanting to tell their tale in their own voice… there is no feeling like it, to me.

This is the creative spark. This is the Awen. We all feel it, in our own way, with our own creative skills. The wonderful musician and Bard, Damh, wrote of it this week. I couldn’t stop smiling at the story of his journey – and cheering, in anticipation of what magical, musical words he’ll bring forth.

The inspiring Nimue has combined a literary idea with Druid practice on her blog, as a result of pondering the meaning of ‘Druid’ itself – slightly tongue-in-cheek, but reminding us of the importance of play, interaction, connectivity and creation. Her idea has already inspired me to write a first chapter in a ‘steampunk Druid’ story. Already, those who’ve seen it want to know what happens next.

And that, dear reader, is the deeper magic for me. When people want to hear more of your tales. When folk are inspired to go and explore themselves, to acknowledge their depths and what they have to bring forth. I love to hear it, and to see it. Such sharing is never a bad thing.

Stephen King spoke of books as a long love-affair between author and reader, requiring commitment on both sides, with varying degrees of enjoyment. Short stories were a kiss, a more focused expression of affection (but no less intense).

Most of my blog posts take an hour or two to write. This one has burst from me in about 15 minutes, at high speed, typing frantically and making my partner laugh at my enthusiasm. A friend told me last week that he loved reading my words, that they always flowed so well. That, I informed him, is because he doesn’t see all the deletions and changes. But here, today, there’s relatively few. A slice of writing life, as it comes. A flow of words, from my mind to yours.

So it’s my brief kiss to you, lovely readers. I always hope to inspire, even if just a smile.

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